‘The exhibition explores early photography from the mid-19th century and the most exciting contemporary photographs, alongside historical painting. It takes a provocative look at how photographers use fine art traditions, including Old Master painting, to explore and justify the possibilities of their art.’ – National Gallery Website.
More of a fan of contemporary photography than of mid-19th century art, I was primarily looking forward to seeing great photography work. But I really enjoyed the angle of this exhibition and how it showed the influences of the 19th century paintings on the photographs. I would really recommend you to go see the exhibition if you are in London!
Man looking right into my lens at the Seduced by Art Exhibition |
Ori Gersht 'Blow-up Untitled 5', 2007 from the collection of Robin and Peter Arkus, USA Image from Mummery + Schnelle London |
Henri Fantin-Latour 'The Rosy Wealth of June', 1886 |
Like the bouquet in the painting, Gersht modelled his bouquet to contain only the colours of the French flag – red, white and blue.
Unlike in Henri Fantin-Latour’s painting where the bouquet looks peaceful – yet containing with what Gherst describes as a looming undercurrent – Gherst’s ‘re-make’ bouquet is shattered to pieces brining that looming undercurring alive.
It is beauty in destruction.
It is
thanks to technology that he is able to capture the moment of shattering. Techology makes it ailable on
image. Gersht first covered the flowers with liquid nitrogen to freeze them and
then embedded the bouquet with explosives. 10 high-speed cameras were then set
up to capture the moment of explosion.
When you look at the making of video (more a series of photographs), you will see the highly technological process of making the photograph and the precision with which it needed to be carried out.
I find the process very remarkable and I love the result: the force yet stillness that is reflected in the photograph!
I find the process very remarkable and I love the result: the force yet stillness that is reflected in the photograph!
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